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Homeland: Random Musings of a Native Son

11/18/2024

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Featuring New Paintings and Mixed Media Works by Harold Joiner
On View at Archway Gallery from November 2 - December 5, 2024
​
Of his new solo exhibition, artist Harold Joiner writes:
I grew up on the grassy plains of Eastern New Mexico. The paved road in front of our house ended at the property line, and there was nothing but prairie beyond it. I played in that prairie with neighborhood friends, especially in an arroyo that was filled with tall grass and sunflowers. We spent endless hours there chasing horned toads, grasshoppers, and the occasional snake. I’m old now, and even though I live in the big city, this childhood memory of being close to the land has never left me.
PictureArtist Harold Joiner
I draw inspiration from those childhood experiences on the vast, windy plains, as well our frequent family visits to Santa Fe, where I had aunts, uncles, and cousins my age to play with. One of my aunts lived in a beautiful Territorial Style adobe house on what was then the edge of Santa Fe. Interested in architecture at an early age, that house and family visits to the nearby pueblos left me amazed that they were made of mud. 

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Caldera

​I’m proud that my homeland is at the forefront of scientific developments today, but is also unique for its Hispanic and Native American heritages, proud that it gave birth to the earliest of civilizations in the Americas as well as today’s Nuclear Age. My interest in ancient places has led me to visit, and revisit, the historic sites of the American Southwest - places like Taos Pueblo, Mesa Verde, and Chaco Canyon.
I create works in varying degrees of abstraction, depending on the subject matter or a specific message I wish to convey. My “invented landscapes” are abstract representations drawn from imagination, memory, or something I’ve read. They usually have a distinctly regional character, and for those in this exhibition, I elevated my view of the imaginary landscape in order to capture a sense of its depth and vastness.  Also included here are some works that give a nod to the crafts of the region’s Native American tribes. In all of the works - landscape and otherwise - I’ve tried to evoke the spirit of Southwest regional art without resorting to cliché.
​
Harold Joiner, November 2024
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Comet Over Sky City
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Loving Journey and Tribute

11/13/2024

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Artist Silvia PintoSouza
A Discussion with Silvia PintoSouza,
Archway Member Artist


Silvia PintoSouza, born in Bucaramanga, in Santander, Colombia, experienced a diverse and colorful educational path.  Her art began lovingly with her mother’s influence.  This continued in a Pan-American school, high school in Bogota, months in North Carolina as an exchange student, and ending with college in London.  Silvia later attended more art courses in Brazil, where her husband is from.  

With this lively art background, Silvia talks about her mother’s talented encouragement, giving her a solid start.
“When I was a child, my siblings and I would do our school homework on a big table in my mother’s studio.  She was an oil painter, and had her easel, paint tubes and work tools in that studio.  My grandfather became a world traveler after he retired.  He sent her art books from museums he visited, she could copy from the great Masters.  This is how she first learned to paint. 
My first artistic steps were at that table, next to my mother’s easel; I would draw while she painted.  Also in that big studio were her sewing machine and kit.  She was a marvelous designer of her own, my sister’s, and my dresses.  She even created a wardrobe for my dolls.  She said that you could see the quality of a dress when you looked inside and outside.  She liked for both to be perfect.   My mother painted until the last months of her life.  She won a Gold Medal at the Florence Biennale, just two months before she died. “
Silvia continues talking about these influences. 
“As an artist, I am visually stimulated by images with strong potential to become works of art by their rich color, and by a bold contrast between light and shadow, a geometrical and spatial composition or a variety of textures.  
I can say that I am eclectic, which according to the dictionary, is a ‘person who derives ideas, style or taste for a broad and diverse range of sources’.   Also, the use of collage and textures is an important means of creating diverse surfaces on the canvas, which become the base of my acrylic paintings.

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Silvia's Mother
What type of message do I want to bring to my work?    Sometimes I ask myself, whatever happened to the concept of ‘Art for the sake of Art’?  The famous Colombian artist Fernando Botero once said: ‘The true objective in art is the pursuit of happiness, but the world seems to have forgotten about it.’ I totally agree with him.   If I can brighten the viewer’s heart with an image I have created, then I have accomplished my goal.” This is a tribute to Silvia’s talented mother and her easel and her sewing machine.  
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